Sound repetitions and verbal similarities in the Holy Qur’an have semantic functions. The arrangement and co-occurrence of words in the Qur’anic text is in a way that besides adding musicality to the speech, is more effective in inducing the meaning and can be referred to as "homophony" or "the miracle of musical order". Applying this method of expression gives rise to the creation of a new concept. It also helps to bring together distant, sometimes contradictory notions, together and to achieve some sort of proportionality, cohesion and semantic alliance through formal and musical correspondence. Using the capacity of collocation and homophony in the Qur’an has made it possible for the intended meaning to be more strongly conveyed to the audience and to double the credibility of the concepts. Studies show that utilizing this capacity is more evident in Juz' 30 of the Holy Qur’an, which thus calls for attention and research. In light of the importance of the problem, the present descriptive-analytical study attempts to examine homophony and its semantic effect referred to as the "the miracle of proximity" in Juz' 30 and to provide the readers with the results of the discussion. It is understood that the miraculous arrangement and collocation of words has highlighted the discourse and, with its specific meaning and signified, has implicitly rejected the idea of synonymy in the Holy Qur’an.