Fakhreddin As'ad Gorgani’s Vis and Rāminis a realistic poetry collection based on an ancient story in the Pahlavi language dating back to the Parthian period, which was poeticized in the fifth century. It is not expected that the Qur’anic concepts are referred to in this story since it goes back to the pre-Islamic era. However, the poet has abundantly used the lexicon and concepts of the Qur’an in the explanation of propositions and the order of verses. The present analytical-descriptive study, drawing on the theory of intertextuality, seeks to evaluate this poetry collection based on its intertextual relationship with the Qur’an and Qur’anic themes. This study is theoretically based on the ideas of theorists of intertextuality, so that in addition to uncovering the solid structure of ayahs, the literary tricks the poet has used in expressing such divine themes in his work might be clarified. The findings show that despite the dominance of special lyric literature in the text and the representation of love and lyric in it, the poet, influenced by Qur’anic truths and Islamic beliefs, has clearly used Qur’anic propositions in such a way that his work, beyond a lyric poetry collection, manifests itself in the minds of the audience as a collection of Islamic and religious beliefs.